Line drawing of a plant with long leaves and clusters of small flowers. The artwork is detailed, featuring intricate curves and intersections.
Ruth Asawa, Valentine Bouquet from Adam (PF.555), 1991; private collection; © 2025 Ruth Asawa Lanier, Inc., courtesy David Zwirner. Photo by James Paonessa

Shows closing soon

Ashley Voss at Voss Gallery, on the corner of 24th and Bartlett streets, developed a local gallery guide that she updates weekly. Check out the guide’s Instagram account and website.

Frankie Solinsky Duryea visited the Incline Gallery on Valencia and wrote about the muralist Max Marttila’s show. It is open through Aug. 10. I stopped in at the Hosfelt Gallery’s show Drawn on Drawing, full of wonderful pieces and many artists. It is on through the 16th.

At the museums

Counter Culture Museum

We have more museums in town. This one is at the corner of Haight and Ashbury streets with a whole lot of San Francisco history.

August seems a particularly opportune moment to visit, as I could see a whole weekend, or a couple of weekdays, spent between the Counter Culture Museum, the Beat Museum and the “Ferlingetti for San Francisco” show at the Legion of Honor. It would be like a graduate seminar on the late ’50s, ’60s and ’70s.

Beat Museum

The Beat Museum is at 540 Broadway, across the street from City Lights, the bookstore founded by Lawrence Ferlinghetti.

“We are dedicated to carrying on the Beats’ legacy by exposing their work to new audiences, encouraging journeys — both interior and exterior — and being a resource on how one person’s perspective can have meaning to many,” according to a statement from the museum.

This sounds like a great place to visit.

Legion of Honor

Ferlinghetti for San Francisco” opened July 19 and runs through March 22, 2026. The show draws from the museum’s collection of prints, etchings, and lithographs. Here is a 2012 profile from SFGate of the poet, artist, activist and founder of City Lights Book Store.

Ferlinghetti died in 2021, but what a life. Even before arriving in San Francisco, he had earned a master’s degree from Columbia University and a doctorate from the Sorbonne. He tended toward the arts, writing his Master’s thesis on John Ruskin and J.M.W. Turner, and his doctorate on “The City as a Symbol in Modern Poetry,” writes Julian Guthrie in her SFGate profile of him.

  • A black and white sketch of a boat with several abstract human figures inside and a sail marked with "25" on a white background, reminiscent of art found in museums. The letter "F" is written below the image.
  • A narrow poster featuring a vertical poem titled "Rivers of Light," with text printed over a large, yellow, winding river graphic—perfect for museums seeking unique, poetic art displays.

The museum offers a Free Saturday campaign throughout the year.

Printing Color: Chiaroscuro to Screenprint” promises to take you across time, from 18th Century etchings to contemporary artists like Kiki Smith.

Wayne Thiebaud: Art Comes from Art includes some 60 pieces from his six-decade career, focusing on his “passionate engagement with art history.”  Open through Aug. 17, 2025.

It offers an eye into Thiebaud’s influences, including Edouard Manet, Giorgio Morandi and Richard Diebenkorn. Guess what paintings inspired each of these from Thiebaud?

  • Four dessert glasses with various ice cream sundaes, depicted in a painting with bright colors and distinct brush strokes, resemble an exhibition you'd expect to find at a vibrant museum.
  • A tall, thin cityscape painting captures a street with cars, sidewalks, and rooftops from an elevated perspective against a blue sky. Attributed to Wayne Thiebaud, this captivating piece is often showcased in museums.

And check out the March cake picnic that our reporter Abigail Vân Neely documented.

An assortment of elaborately decorated cakes is displayed on a table outdoors. Each cake resembles a tree stump with varied colors and textures, set against a background with columns.
From Wayne Thiebaud’s canvas to eatable cake. These were made by the artist Juan Felipe Hammack for the Legion of Honor’s Cake Picnic. Photo on March 29, 2025 by Abigail Vân Neely.

You can view the Legion of Honor’s full list of exhibitions here.

Admission is free every Saturday for Bay Area residents, and the first Tuesday of every month for everyone.

SFMOMA

People Make This Place: SFAI Stories” is open through July 5, 2026, at SFMOMA. The exhibit looks at the the San Francisco Art Institute’s importance to the local arts eco-system and includes work from 50 alumni and former faculty in the museum’s collection. 

Kunié Sugiura: Photopainting” is on. The New York Times has an excellent review of the show and Sugiura’s approach to photography and art. It also explains photograms and will make you want to see the 82-year-old’s work.

The museum’s “Ruth Asawa: Retrospective” is open, and Mission Local contributor Teresa Moore calls it “astonishing.” The exhibit, Moore writes, illustrates that “there was no line between living a full life and making astonishing art, no limits on inspiration, no place that wasn’t a good place for creation and appreciation.” 

The exhibit, which includes more than 300 works, follows a loose chronology, from Asawa’s student years at Black Mountain College through her later years raising a family in Noe Valley.

Some slides from the show.

  • Person sitting at a table, drawing on a large sheet of paper with abstract designs. Other large papers hang in the background.
  • Line drawing of a plant with long leaves and clusters of small flowers. The artwork is detailed, featuring intricate curves and intersections.
  • Two green and white striped watermelons are lying side by side on a plain white background.

And there is also Kara Walker’s “Fortuna and the Immortality Garden (Machine),” an installation that touches on power dynamics and the exploitation of race and sexuality. In its review, The San Francisco Chronicle wrote that the concepts “feel ambitious and epic, yet the ability to get close to it lends the piece an intimate quality.”  I found it more perplexing.

The New York Times reviews the installation here, writing that Walker “is highlighting the superhuman capabilities of A.I. as only she can.”  

Admission is free on the first Thursday of every month for Bay Area residents, although it is recommended you reserve your ticket in advance. Here is information for free and reduced-price admission

de Young Museum

A show of Paul McCartney’s photographs opened on March 1 and has been extended to Oct. 5. It includes photographs from December 1963 through February 1964, a period that covers the beginning of the Beatles’ journey from Liverpool, England, to their arrival in the United States and their guest appearance on the Ed Sullivan Show.

  • A person in a suit smiles with eyes closed, hair motion-blurred, set against a backdrop reminiscent of geometric designs often found in museums.
  • A group of people, including a child wearing a headscarf, is seen through a car window, surrounded by adults in formal attire, as if they are heading to one of the city's prestigious museums.

500 Capp St.

Capp Street, Et al, and Slash will be hosting a fundraiser and two-day art sale on September 6 and 7. Some works for sale are already online.

Jes Young: Return” is at 500 Capp St. Who is Jes Young? Well, you would be hard pressed to know by going to Capp Street’s website. This is just the kind of art world mystery that makes me crazy.

No matter; I love David Ireland’s former residence. His sense of humor still remains in all of the inanimate objects preserved at 500 Capp Street. Probably, he would be more tolerant of the mystery.

And, there is a big project going on this weekend with Ruth’s Table at the Bethany Center.

David Ireland’s former residence reopened on June 19 with “Mildred Howard Collaborating with the Muses Part 2.”

The museum has organized a full list of programs around Howard’s work, including talks, readings and a tour of civic monuments. You can sign up for all here.

“Still Burning, Celebrating the 50th Anniversary of Ant Farm’s Media Burn,” is open. Designed and executed by Ant Farm, a Bay Area radical art and architecture collective, the event involved members of the collective driving a 1959 Cadillac Eldorado into a pyramid of burning TV sets. Drawings, souvenirs and, of course, the video will be on display.

Yerba Buena Center for the Arts

Bay Area Then” opens Aug. 1 and runs through Jan. 25, 2026. It features work by 21 artists from the ’90s and into the new century, including Beatrix Fowler, Arnold Kemp, Margaret Kilgallen, Rigo 23, Spie One, and many others. The quest curator is Eungie Joo.

Entry to YBCA Galleries is free on Wednesdays and second Sundays.

Asian Art Museum

Chandigarh-based artist Gurjeet Singh’s show “When Words Hurt” is open through March 23, 2026.

There is birdwatching at the museum with “Beautiful, Bountiful, Boisterous Birds,” and also in the Japanese galleries, “Shinoda Toko: Abstract Calligraphy” Toko moved from copying calligraphy to creating abstractions. The work is exquisite.

The museum also has a series, “Take Out Tuesdays,” where you can meet online to talk about a piece of art with docents and others. 

General admission is free on the first Sunday of every month, and the special exhibitions are discounted. Here is more information for free and reduced-cost admission. The museum also hosts a robust list of events.

Institute for Contemporary Art

Midnight March” by Masako Miki and “stay, take your time, my love” by David Antonio Cruz are now open. You may know Miki’s work from her whimsical installations at the Uber headquarters. Cruz’s exhibit includes newly commissioned work “created in response to the queer histories of San Francisco.”

  • A framed artwork reminiscent of a museum piece, featuring intricate gray and silver branches over a dark background, with faint patterns and a shoe partially visible at the top.
  • A museum-quality textile artwork depicts dark birds flying among abstract tree branches and foliage in shades of gray, blue, and beige.
  • Large, abstract chair with a multicolored, camouflage-like fabric pattern and rounded shape, supported by short wooden legs—this museum-worthy piece stands out against a plain white background.
  • A yellow, bean-shaped stool with purple polka dots and three wooden legs stands like a playful exhibit on a plain background—perfect for adding museum-inspired charm to any space.
  • A colorful illustration reminiscent of a museum exhibit, featuring blue cats, a fox, birds, crescent moons, and abstract shapes on a dark background in a whimsical, overlapping composition.

Museum of Craft and Design (MCD)

“Buttons On” is the first retrospective for Beau McCall, who has had a 40-year career creating art with buttons. It is pretty crazy and wonderful what can happen when a particular child sees a jar of buttons collected by his mom. The NewsHour did a piece on the artist:

Also on: “A Roadmap to Stardust.” The museum’s website calls it “a modern inquiry into the cosmos and humankind’s eagerness to explore distant planets.” 

The Letterform Archive

The Letterform Archive is our latest addition to the list. It is a nonprofit arts center focused on graphic design. In late April, it opened a 10-year anniversary exhibit, “10 × 10 for 10: Ten years of Letterform Archive. One hundred objects of typographic design.” It will run through Oct. 12, 2025, and features 100 objects from the collection.

  • A sheet of paper with the large black text "How will it print?" in a serif font, surrounded by pencil measurement marks and handwritten notes.
  • A flag with the words "FREE HUEY" above a black panther graphic on a white background.
  • Abstract book cover design with overlapping geometric shapes in blue, yellow, and red. Text reads "romano hänni" and "typo bilder buch" with a large lowercase letter "e.

The Chinese Historical Society of America

Challenging a White-Washed History: Chinese Laundries in the U.S.” is on. Mission Local’s Junyou Yang wrote about the exhibit.

Also at the museum: “We are Bruce Lee: Under the Sky, one family,” and “Living in Chinatown: Memories in Miniature,” sculptures by Frank Wong, who attended Galileo High School, became a set designer and now lives in Chinatown.

California Academy of Sciences

It is “Dino Days” at the California Academy of Sciences, with 13 life-size animatronic dinosaurs that you can see here in an Insta post.

  • A lifelike dinosaur sculpture with an open mouth and visible teeth, featuring textured skin and bright yellow eyes, stands majestically against tree branches—a masterpiece often admired in museums.
  • A realistic sculpture of an armored dinosaur with spikes and a long tail stands impressively outdoors among dry plants and twigs under a clear blue sky, reminiscent of exhibits you'd find in the finest museums.
  • Amid trees and greenery, a realistic dinosaur model with feathers and sharp teeth stands proudly, evoking the awe-inspiring exhibits often found in museums. A person can be seen in the background, adding scale to this lifelike prehistoric scene.

There is “Unseen Oceans,” a traveling exhibition produced by the American Museum of Natural History. One of the coolest offerings: Being able to hop into the “driver’s seat of a submersible with a digital interactive game.”

In the Steinhart Aquarium, the “Venom: Fangs, Stingers, and Spines” exhibit is featured, celebrating the aquarium’s 100th year. See stunning visuals at the Morrison Planetarium, a 75-foot dome that transports viewers to the universe beyond planet earth. The Osher Rainforest features 1,600+ live plants and animals in a rainforest-like dome that stretches 90 feet above ground.

Make sure to plan ahead and see the admission and ticketing page for more information. Also, see how you can get a free or reduced rate for your next visit. 

The Tenderloin Museum

Lady Harriet Sebastian: The Bridgemen,” is on view. It is a single painting done by Sebastian, who lived and worked in the Tenderloin for 25 years.

I did not know about the Tenderloin Museum until the San Francisco Chronicle wrote about its planned expansion to 10,000 square feet from 3,000, adding a room for San Francisco’s neon history, including a sign from Hunt’s Donuts, once based in the Mission District and known as the “epicenter of crime.” I so miss the sign that Prubechu painted over in 2019. It was not neon, but nevertheless history. At any rate, I digress.

We caught up with the museum’s preservation of trans history and culture.

There is a lot more going on at the Tenderloin Museum, including the permanent collection that explores the neighborhood’s history and upcoming events, such as a walking tour focused on the area’s LGBTQIA+ history. Other walking tours are listed here.

The Walt Disney Family Museum

The museum is showing rare objects featured in the book “Walt Disney Treasures: Personal Art and Artifacts from The Walt Disney Family Museum.” The objects will change every two months.

Visit the museum’s website for more information on admission costs and reduced ticketing options. 

Exploratorium

Experience After Dark at Pier 15. Every Thursday evening, immerse yourself in more than 700 interactive exhibits. For people 18 and older. The museum advertises a carefree environment with new themes each night. Here is information for reduced admission.  

The Mission Cultural Center for Latino Arts

See the center’s website for offerings. 

Museum of the African Diaspora

The Museum of the African Diaspora will be closed until September.

Jewish Contemporary Museum

The museum closed in December for at least a year as it works out its financial situation. You can learn more here. Laura Waxmann wrote a good piece for the San Francisco Chronicle about the difficulties museums are facing.

Its closure is a reminder of to visit our museums.

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Founder/Executive Editor. I’ve been a Mission resident since 1998 and a professor emeritus at Berkeley’s J-school since 2019. I got my start in newspapers at the Albuquerque Tribune in the city where I was born and raised. Like many local news outlets, The Tribune no longer exists. I left daily newspapers after working at The New York Times for the business, foreign and city desks. Lucky for all of us, it is still here.

As an old friend once pointed out, local has long been in my bones. My Master’s Project at Columbia, later published in New York Magazine, was on New York City’s experiment in community boards.

At ML, I've been trying to figure out how to make my interest in local news sustainable. If Mission Local is a model, the answer might be that you - the readers - reward steady and smart content. As a thank you for that support we work every day to make our content even better.

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