A group of people gather under a tree near a tent, with clothes hanging on a line and grassy vegetation in the foreground.
Our Camp, May 2, 1906. by Chiura Obata (American, 1885 - 1975). Watercolor and graphite on paper. Asian Art Museum, Gift from the Estate of Chiura Obata, 2021.40. Photograph © Asian Art Museum of San Francisco

As it should be, the 1906 earthquake is always marked on April 18, but we rarely take the time to think much about the 7.9 earthquake beyond its anniversary.

In the days following the quake, the 20-year-old Chiura Obata, who had only been in the country for three years, grabbed his sketchbook and went to work. The Asian Art Museum’s 2022 exhibition, “Bearing Witness: Selected Works by Chiura Obata,” showcased the firsthand depictions.

“The watercolors in this series begin on April 25, exactly a week after the earthquake and three days after the raging fires subsided,” the museum wrote of the exhibit.  “Binding holes across the top of the paper show that the pages were once part of a sketchbook — perhaps the same one Obata grabbed on the morning of the earthquake, when the twenty-year-old artist fled his wrecked lodgings on Leavenworth Street.”

The Asian Art Museum shared some of the images. 

“Obata observed first-hand the tragedy of the earthquake and subsequent fire,” said the museum’s chief curator, Rob Mintz. “His images document the tragic property loss in the heart of the city, but perhaps more importantly, he documents the plight of the Chinese and Japanese Americans who survived in makeshift camps set up in the East Bay.”

Several Berkeleyside reviews of earlier Obata exhibits offer a fuller look at the remarkable artist, who would go on to live in and create art schools in two Japanese internment camps.

The photos of the sketches are organized in chronological order.

Watercolor painting of a city in ruins, with damaged buildings, scattered rubble, and handwritten Japanese text in the bottom right corner.
View of San Francisco City Hall from Post Street and Van Ness Avenue, April 25, 1906. By Chiura Obata (American, 1885-1975). Watercolor on paper. Asian Art Museum, Gift from the Estate of Chira Obata. Photograph © Asian Art Museum of San Francisco.
A watercolor painting depicts a desolate urban landscape with ruined buildings, a damaged car, and telephone poles under a cloudy sky. Handwritten text appears in the lower right corner.
View of the Clay Street Reservoir from Van Ness Avenue, April 25 1906. By Chiura Obata (American, 1885 – 1975). Watercolor and graphite on paper. Asian Art Museum, Gift from the Estate of Chira Obata. Photograph © Asian Art Museum of San Francisco.
A monochrome sketch shows smoke rising from a steamship on the water, distant ships, and coastline. Handwritten text reads “San Francisco from the ferry boat, April 20th, 06.”.
San Francisco from the ferry boat April 27, 1906. Chiura Obata-©-Asian-Art Museum, San Francisco.
A watercolor painting depicts several people sitting on the grass under a tree, with others standing nearby and baskets placed to the right.
People resting in the Presidio after the 1906 earthquake, Late April, 1906. by Chiura Obata (American, 1885-1975). Watercolor and graphite on paper. Asian Art Museum, Gift from the Estate of Chiura Obata, 2021.37. Photograph © Asian Art Museum of San Francisco.
A woman in period clothing stands in an open square with a damaged building and a few distant figures in the background under a cloudy sky.
Street scene, April 30, 1906. By Chiura Obata (American, 1885-1975). Watercolor and graphite on paper. Asian Art Museum, Gift from the Estate of Chiura Obata, 2021.36. Photograph © Asian Art Museum of San Francisco.
Sepia-toned drawing of tents set up in front of a large building labeled "Girls High School, S.F." with handwritten date May 3rd, 1906. Trees are visible on the right.
Girls High School S.F., May 3, 1906. by Chiura Obata (American, 1885-1975). Watercolor and graphite on paper. Asian Art Museum, Gift from the Estate of Chiura Obata, 2021.43. Photograph © Asian Art Museum of San Francisco.
A stone staircase leads up to a terrace with sparse trees and shrubs, bordered by high stone walls; a lamp post stands on the left and a tall building is visible in the background.
San Francisco Imperial Hotel after burning, May 16, 1906. By Chiura Obata (American, 1885-1975). Watercolor and graphite on paper. Asian Art Museum, Gift from the Estate of Chiura Obata. Photograph © Asian Art Museum.
Watercolor painting of a cityscape with damaged buildings, rubble, and debris scattered on the ground; Japanese text is visible in the lower right corner.
Japantown after the 1906 earthquake and fire, from California Street , May 18, 1906. by Chiura Obata (American, 1885-1975). Watercolor and graphite on paper. Asian Art Museum, Gift from the Estate of Chiura Obata, 2021.46. Photograph © Asian Art Museum.
A group of people stands in front of several tan tents under trees, with one tent in the foreground displaying Japanese writing on its side.
Chinese Camp at Lake Merritt in Oakland, May 21 or 23, 1906. By Chiura Obata (American, 1885-1975). Watercolor and graphite on paper. Asian Art Museum, Gift from the Estate of Chiura Obata, 2021.47. Photograph © Asian Art Museum of San Francisco.
Watercolor painting of a hillside camp with tents and wooden structures after the 1906 earthquake, surrounded by trees, under a lightly clouded sky. Handwritten text at bottom reads: "The Japanese Camp at Lafayette Square 11/22/06.
The Japanese camps of Lafayette Square, May 22, 1906. by Chiura Obata (American, 1885 – 1975). Watercolor and graphite on paper. Asian Art Museum, Gift from the Estate of Chiura Obata, 2021.48. Photograph © Asian Art Museum of San Francisco.

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3 Comments

  1. He had access to the ruins only because when asked to dig a latrine at Alamo Sq Park, he was the only one who actually stuck around to do it. When the military leader returned to find him doing the work alone, he granted Obata a pass to go anywhere in the city’s wreckage.

    He would go on to become an unparalleled artist and teacher. This from Chiura Obata, 1933 “Natural Rhythm and Its Harmony”
    Step 1: Put down the nail polish. Step 2: Don’t bash a monkey’s head in, pour wine over it, set it on fire and eat its brains.

    When did philosophy of art and aesthetics stop being so practical and concrete?

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  2. All earthquakes are created with Directed Energy, Technology.
    The first Great San Francisco earthquake was executed by the Battleship Connecticut, 119 years ago.
    119 years backwards is 911
    Prepare
    TransAmerica pyramid is the military’s target.
    Water will rise.
    3:03am to 6:36am
    8.0+- mag

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