The Cine Latino building at 2551 Mission St. with construction in the foreground
The Cine Latino building at 2551 Mission St. with construction in the foreground. Photo courtesy of Charles Hemminger.

The 111-year-old building formerly housing Cine Latino at 2551 Mission St. between 21st and 22nd streets, played its very last movie back in 1987. In the last few months, its century-old facade, long derelict, has been replaced by a sleek, modern-looking three-story structure with floor-to-ceiling windows facing west to the shiny marquee of the Alamo Drafthouse theater. 

The 9,225-square-foot ground floor will become retail and an art gallery, according to the architect in charge of the project. But that is not all: The owners are also planning to refurbish the top two floors to create individual artist studios, and may add a rooftop theater to the building.

Interior of the building under construction with exposed pillars and beams.
The ground floor of the former Cine Latino under construction. The floor may see an art gallery and some retail space. Photo courtesy of Charles Hemminger.
Unfinished interior space of a new commercial building under construction, with exposed ceiling infrastructure and concrete flooring
The second floor of Cine Latino in the process of being refurbished for art studios. Photo courtesy of Charles Hemminger.

The Cort Family and their architects, Hemminger Architects, have applied for permits to turn the second floor into individual work spaces that include partition walls and common accessible bathroom facilities. 

The application specifies that all the spaces on those floors are intended for workspaces, and not for housing. In addition, the city issued an elevator permit last year and a fireproofing one in 2022. 

Charles Hemminger, the architect working with the family on the project, said that the owner of the building, Vera Cort, who died on Monday, decided a year ago that she wanted the second floor to house spaces for artists to work. 

“Vera wanted to do right by the building,” he said. “ She was dedicated to the building to the end.”

The building’s history — it  originated as the Wigwag theater in 1913, part of a group of theaters that opened after the 1906 earthquake — will also be honored. Hemminger said that his firm is in conversation with a company in London, England, to convert the 2,750-square-foot roof of the building into an outdoor movie theater.

Lastly, Hemminger said that Cort also wanted to turn the 7,500-square-foot third floor into more space that can serve local artists. However, permits submitted to the city did not yet specify any proposed uses for the third floor.

Interior of the Cine Latino building with exposed structural elements and construction materials on floor.
A view of the third floor of the former Cine Latino under construction. The space could host some art studios. Photo courtesy of Charles Hemminger.

Hemminger said that he is hopeful that the pending permits will be approved soon, as 99 percent of the exterior shell is now done. As for the interior, he thinks permits and work could take up another six months to complete.

Daniel Sider, the Planning Department’s chief of staff, confirmed that these permits are still under review. Sider did not specify how long it may take to approve them.

Many artists in the community have already benefited from a similar project Cort started after she converted a former mayonnaise factory at 1890 Bryant St. into a space where more than 60 artists now have their studios.

Kathleen Rydar, an artist at 1890 Bryant, has been at the studio for more than 10 years. She says that it is important for artists to have these kinds of spaces.

“So grateful she had the ability to see that the building could be used as such a space for the community,” she said. “ I’ve always been very impressed on how responsive she was.” 

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Oscar is a reporter with interest in environmental and community journalism, and how these may intersect. Some of his personal interests are bicycles, film, and both Latin American literature and punk. Oscar's work has previously appeared in KQED, The Frisc, El Tecolote, and Golden Gate Xpress.

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