A crowd at a gallery and a woman in a red dress talking to them.
Andrea Nicolette Gonzales addresses the crowd at Mission Cultural Center for Latino Arts for the opening reception of her exhibit, "Currency". Photo by Gustavo Hernandez. August 13, 2023.

As a student, Andrea Nicolette Gonzales learned the importance of empathy, of getting under someone’s skin. And that, in a fashion, is what she’s done in a compelling exhibit, “Currency,” that opened Sunday at the Mission Cultural Center for Latin American Arts. 

The show, which runs through Aug. 26, features 32 portraits of Latinx educators in San Francisco whom Gonzales, a Mission High School photography teacher, has, literally, painted with an element of their life stories.

The project involved two stages: first Gonzales, who does body painting as well as photography, spent an hour or more with each teacher to hear about their lives. In a second session, she painted an element that reflected the teacher’s experience. 

On Sunday, Alejandro Ledesma, a dance teacher at the exhibit on Sunday, stood with friends in front of his portrait, one in which his torso, painted in black and white stripes, arches back in an elegant pose. “I love it,” he said of the portrait, which was inspired by his talking to Gonzales about Michael and Janet Jackson’s music video “Scream,” which is set in a spaceship. 

Another teacher, Rosalia Lopez, surprised Gonzales when she told her she was taking a sabbatical during the pandemic. The teacher’s father was dying of cancer, and she wanted to be there for him. In her interview with Lopez, Gonzales recalled driving around with her father. He would notice an edible cactus and say, “That would be real good for dinner.” 

Clearly, Gonzales said, the teacher had a deep connection and love with her father. 

So Gonzales suggested meeting her for the painting session in the cactus garden at Fort Mason. “I painted her to be part of the cactus,” said Gonzales. 

Many of the models attended Sunday’s opening. Visitors can listen to conversations with a few at an audio station in the gallery. While it would be helpful to have a short explanation of the inspiration behind each painting, even without this, the canvases tell a captivating story. 

  • A woman painted green as a canvas in the middle of a cactus garden.
  • a scene of visitors looking at paintings in a gallery space.
  • A person standing to next to a painting of someone in a stripped torso.
  • Feet
  • A photo of the gallery.
  • a Woman standing next to a canvas of blue, yellow and green.
  • A woman in a red dress talking to guests at a gallery.

Gonzales called the project, funded by a grant from the San Francisco Arts Commission, “a beautiful experience.” 

“I feel like I’m a part of something that’s so much bigger than me; to hear everyone’s story” and all the connections, she said. “I didn’t expect it to nourish me this much.” 

One of the first Gonzales interviewed and photographed was the math teacher Maria Martinez. One photograph is in the show, and a second has been accepted to be part of The de Young Open 2023, a juried community art exhibit that will be on display from Sept. 30 through Jan. 7, 2024.

Gonzales began teaching at Mission High School in 2016 after earning her master’s in fine arts from the now-closed San Francisco Art Institute. In her eight years at Mission High, she has created a photography program, moving from iPhones to Sony and Canon cameras. 

After school opens on Wednesday, Gonzales looks forward to bringing her students to the cultural center to see the exhibit. The best part of teaching, Gonzalez said, is connecting the classroom with her studio work — she has a space at 1850 Bryant St. — and exhibits around town. 

“I can say, ‘Hey, you know, we’re learning about this and talking about this, but let’s go to this event,’”  she said. 

Mission Cultural Center for Latino Arts
2868 Mission St.

The show’s closing reception will take place on Aug. 26 at 2 p.m.

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Founder/Executive Editor. I’ve been a Mission resident since 1998 and a professor emeritus at Berkeley’s J-school since 2019. I got my start in newspapers at the Albuquerque Tribune in the city where I was born and raised. Like many local news outlets, The Tribune no longer exists. I left daily newspapers after working at The New York Times for the business, foreign and city desks. Lucky for all of us, it is still here.

As an old friend once pointed out, local has long been in my bones. My Master’s Project at Columbia, later published in New York Magazine, was on New York City’s experiment in community boards.

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