A group of people descends a rocky cliff path towards a sandy beach with waves gently washing ashore under a cloudy sky.
The hike down to the. beach. Photo by George Lipp

The Mission is always filled with wonderful surprises. Artillery Ceramics, at 2751 Mission St., recently hosted a recent clay-foraging adventure. That was a surprise, foraging for clay. I’d never heard of it. 

The event included gathering, processing and sculpting clay at Thorton State Park, a 15-minute drive from 24th and Mission streets and just south of Fort Funston. I had no idea this oasis of natural beauty was so close, a great surprise for a longtime Mission dweller. Ivan Lopez, the founder and curator of Artillery AG, combined the two revelations to create a memorable experience and my funky little piece of clay sculpture. 
 
Sunday at 11 a.m., I met up with Lopez and eight other intrepid foragers. I stood on the cliff looking out over the Pacific, and a whale spouted. The group wound down a fairly steep trail through a little forest. Magical? I don’t know. It sure felt that way. All manner of wildlife presented itself. Two owls swiveled their heads, as if to track our movements. A scrawny tree held several ravens, with heavy beaks, square tails, and a badass stare. Only Edgar Allan Poe was missing.

On the way down, Lopez asked that we open our senses and relax. “If you see something symbolic of the little journey, pick it up,” he said. “We’ll use it in a minute.” We came to a clearing and made a circle. Lopez collected all of our walking souvenirs and assembled them in the center of our circle. He handed out four cards, each with a cardinal ordinate and some other words. He played a few notes on a wooden flute and asked that the east card be read. We repeated the process for the west, north and south cards. We were summoning the forces of all the world, Lopez said. At first, I thought the flute and all was a little unusual. Somehow, it wasn’t. The incantations and music were fun. Everyone was smiling and into our adventure. The stage was set for an experience that would be both technical and philosophical. Everyone was up for it.
 
We spread out our knapsacks and tarps while Lopez explained the object of our search: Wild clay. Why “wild?” I asked. “This clay hasn’t been processed. It didn’t come from a mill. It’s in the wild,” Lopez explained. 

A coastal landscape featuring grass-covered hills and winding dirt paths, leading to the ocean under a cloudy sky.
Our view of the park. Photo by George Lipp.
A tall tree with branches bearing a mix of leafy and bare twigs stands against a gray sky on a cloudy day.
Owls. Photo by George Lipp.
A bare, leafless tree stands against a coastal backdrop with the ocean in the distance. Several birds perch on the tree's branches. Vegetation and a path are visible in the foreground.
Ravens. Photo by George Lipp.

Just above the high-tide mark, we found a spring that ran to the sea. Around the spring was lots of wet clay that was smooth and slippery. Lopez said the wet clay wasn’t our objective; too inconsistent. Dry clay, which we would later pound with rocks to powder and hydrate, was the target. There it was, right next to the spring. We each scooped some up and returned to the staging area. 

A small stream of water flows through a sandy beach towards the ocean, with gentle waves in the background under a cloudy sky.
Spring outfall. Photo by George Lipp.
A small group of people stands near the shoreline on a sandy beach overlooking the ocean waves, with rocky terrain and vegetation in the foreground.
Foraging. Photo by George Lipp.
A person kneels on the ground working with various stone tools and pieces of cloth spread out around them, likely engaging in an archaeological or crafting activity in a sandy outdoor setting.
Ivan Lopez with foraged clay. Photo by George Lipp.
A person holds a small, textured clay pot in their hand.
My vessel. Photo by George Lipp.

Lopez was joined by his partner, Kelly Ortega. The two of them moved person by person, assuring that the clay was being worked properly. Then we carefully added water, and our very own wild clay emerged. Some made little dishes or funny faces. Everyone ended up with their very own design and an ear-to-ear smile. Ortega said the mindfulness employed in the process is almost more important than finished pottery. Once again, total agreement. For me, that was a pretty low hurdle, as my piece looked like a deer dropping with a thumb depression in the middle. For me, it was art. 

As we packed up, Ortega gave us all a fresh flower. She asked that we take it down and throw it into the ocean. “We have taken something from nature, so we must always give her something in return.” As I tossed my flower into the surf, I thought, “Just like you, Mother Nature, I give you the flower, and immediately you gave me a warm heart.”

A person kneels on the ground and plays a wind instrument near a small, circular arrangement of stones. They are outdoors among trees and greenery.
Ivan Lopez with his flute. Photo by George Lipp.
Two people and a dog stand near the edge of a seaside cliff with lush green vegetation, overlooking the ocean on an overcast day.
View with horses. Photo by George Lipp.

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George Lipp has long lived in the Mission. He’s our volunteer extraordinaire – always out taking photos or running across crimes in progress.

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7 Comments

  1. Really enjoyed reading this article. Loved the clay foraging class as well, and it was a welcome mindful much-needed break from the normal hustle and bustle of busy city living. We made three little vessels we will be firing soon too! So wonderful you got to experience this with Ivan and Kelly at Artillery, and appreciate you sharing their work and passion with the greater community 🙂

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  2. It seems critically important whenever encouraging foraging to talk also about stewardship of the land and resources (beyond the gesture of throwing a picked wildflower into the ocean, which doesn’t really help the land or sea.) Foraging responsibly is very counter-cultural and a beautiful thing to learn about. Everything else about that class sounds amazing.

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    1. Hi Ben, this is an excellent question. Removing things from Beaches is not permitted. The exception, in this case, is for rockhounding and for educational purposes. The limitation is that the volume of clay may not exceed 15lbs. The group took no more than a couple pounds in total. Ivan and Kelley’s focus was teach us the ways native peoples may have created their everyday utensils. Oh yes the statutes prohibit removing items for subsequent sale. As you can see from my tiny vessel’s only value was as a memory of an excellent day with wonderful people. And I learned something.

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    1. I love photos and especially in nature. My objective is almost always to capture the feeling of the day. I travel to Japan two times a year for a month for each visit. My language skills are limited so it is photos galore. I’ll bet I have well over a thousand curated photos. Photography is a passion please search my MissionLocal submissions they are all photography based. As you can see from this piece I loved the images I got that day. But, the educational experience provided added great depth to the images I captured.

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